Authenticity in Abstract Art

This article explores the concept of authenticity in art, focusing on abstract art. How abstract art provides a unique opportunity to examine the idea of authenticity. In creating authentic art, you will learn the importance of staying true to yourself and expressing your innermost thoughts and feelings. Overall, this article offers a thought-provoking exploration of authenticity in art and its relationship to abstract art.

Unpacking the Complexities of Authenticity in Abstract Art

Authenticity in art has been a topic of discussion and debate for centuries. The question of whether an artwork is authentic or not can significantly influence its value and the perception of the artist’s skill. Abstract art is a fascinating genre to explore the concept of authenticity, as it often relies on the artist’s interpretation and expression rather than a recognizable subject matter.

Artist Alexandra Malyshko with her abstract art "Landscape in red"
Artist Alexandra Malyshko with her abstract artwork “Landscape in red”

A Celebration of Whimsy: Exploring the Playful and Imaginative World of Whimsical Art

Whimsical art is a form of abstract art characterized by its playful, imaginative, and often surreal imagery. This type of art aims to evoke a sense of childlike wonder and curiosity in the viewer and showcase the artist’s unique perspective on the world around them. Whimsical art can take many forms, from bright and colorful paintings to intricate sculptures and installations. The use of bright, bold colors and playful shapes is also a common feature of whimsical art, creating a sense of joy and whimsy in the viewer.

Whimsical art can also be highly symbolic, with artists using their creations to explore profound and complex themes. For example, the whimsical sculptures of Spanish artist Pablo Picasso are known for their use of symbolism and their ability to express complex emotions and ideas. His famous sculpture “Baboon and Young” is a striking example of his ability to create whimsical yet significant art.

Exploring the Rich and Vibrant World of Ukrainian Art: A Journey Through Tradition and Modernity

Ukrainian artist and art kurator Galina Shevtsova and her abstract art

“The real art, it’s like taking a bath of ice and rainbows.”

— Galina Shevtsova, artist

Ukrainian art is a fascinating genre that encompasses various styles and techniques, from traditional folk art to more modern and contemporary works. This vibrant art form is deeply rooted in Ukraine’s history, culture, and traditions and draws on various influences from across the region and beyond.

One of the defining features of Ukrainian art is its use of traditional folk art techniques and motifs. These include intricate embroidery, colorful paintings, and intricate wood carvings, all of which reflect the rich cultural heritage of Ukraine. These traditional techniques are often combined with more modern elements and styles, creating a unique and distinctive form of art that is both timeless and contemporary. Ukrainian art is also characterized by its bold, bright colors and vivid imagery. Using these bright colors and motifs creates a sense of vibrancy and energy in the artwork, a hallmark of the Ukrainian style.

Pushing the Boundaries of Authenticity: Modern Art’s Experimental Nature

The concept of authenticity has become even more complex as artists experiment with new materials, technology, and ideas. As a result, some artists choose to create art that challenges the traditional notions of what is considered “real” or “authentic,” such as Marcel Duchamp’s “Fountain” sculpture, which is simply a urinal turned upside down and signed with a pseudonym.

Staying True to Oneself: The Importance of Authenticity in Art, According to Coco Chanel

Fashion icon Coco Chanel once said, “To be irreplaceable, one must always be different.” This quote applies to the art world, as artists strive to create works that are unique and authentic to their personal style and perspective. Authenticity in art is not just about creating something original but also about staying true to oneself and expressing one’s innermost thoughts and feelings.

In a blog article for The Art of Education University, art educator Caitlin Clauss discusses the importance of authenticity in art education. She writes, “Authenticity in art education is vital to creating meaningful experiences for our students. When students are encouraged to create from a place of personal meaning and expression, they can tap into their unique creativity and create art that is truly their own.”

Conclusion

Authenticity in art is a complex and subjective concept that can be explored in many different genres and styles. Whether through whimsical art, Ukrainian art, or modern art, artists strive to create works that are authentic to their personal style and perspective. As Coco Chanel said, being different makes one irreplaceable, and the same holds for the art world.

Collage Art: A Creative Masterpiece

Collage art is a unique art form that combines different materials and elements to create a single work of art. From the French word “coller,” which means “to glue,” this technique has been used for centuries, but it wasn’t until the 20th century that it came into its own. Collage art has a charm that no other form can match, and it continues to be popular among artists and art lovers alike. This article will explore the history of collage art, its different styles, and why it is so unique.

The History of Collage Art

Collage art dates back to ancient civilizations, where it was used in religious and ceremonial practices. In the early 20th century, artists began to incorporate this technique into their work. Pablo Picasso and Georges Braque were among the first artists to experiment with collage, using it to create their famous cubist paintings.

Collage art by Sanders Sokolowski
Collage art by Sanders Sokolowski

The Evolution of Collage Art: From Ancient Times to Modern Day

In ancient times, collage art was used in religious and ceremonial practices, often made from natural materials such as leaves, feathers, and stones. During the Middle Ages, artists incorporated collage techniques into illuminated manuscripts, creating intricate designs with gold leaf and other decorative elements.

It was in the 20th century that collage art indeed came into its own as a modern art form. Pablo Picasso and Georges Braque were among the first artists to experiment with collage, using it to create their famous cubist paintings. The Dada movement also played a significant role in the evolution of collage art, with artists such as Hannah Hoch making political and social commentary through their works.

Collage art continues to thrive as a unique and versatile art form. From traditional paper collages to mixed media and digital collages, artists continue to push the boundaries of what is possible with this technique. As a result, collage art has become a symbol of creativity, innovation, and self-expression, and its evolution over the centuries is a testament to its enduring appeal.

Different Styles of Collage Art

Collage art can take on many forms, from traditional paper and glue to digital art. Here are some of the most popular styles:

  1. Paper Collage: This is the most traditional form of collage art, where different materials, such as paper, fabric, and photographs, are glued onto a surface.
  2. Mixed Media Collage: This form of collage art combines different materials such as paint, ink, and found objects to create a textured and layered piece.
  3. Digital Collage: This collage art style involves using digital software to combine different images and elements.

What Makes Collage Art Unique?

Collage art is unique because it allows artists to combine different materials and elements to create a single piece of art. It opens up endless possibilities for creativity and expression. Collage art can also be used to create powerful messages and convey important ideas. It is a versatile art form that people of all ages and backgrounds can appreciate.

Conclusion

Collage art is a beautiful and unique art form used for centuries. Its different styles and techniques have allowed artists to create masterpieces that continue to inspire and captivate audiences. Whether it’s a traditional paper collage or a digital collage, this art form will continue to evolve and amaze us.

How to Get the Most Out of Art Opportunities & Open Calls

It’s a collaborative effort, an evolutionary process. You choose your fabrics depending upon what you want to say, then you work with mills to get those fabrics. Fashion is made to become unfashionable. We have got to change our ethics and our financial system and our whole way of understanding the world. It has to be a world in which people live rather than die; a sustainable world. It could be great. I love to design things that people can actually buy. I’m staggered by what a boot costs today. I believe that my clothes can give people a better image of themselves – that it can increase their feelings of confidence and happiness.

I don’t try to be in fashion; I don’t try to follow trends. You just end up out of fashion that way.

Certificates of Authenticity in the Digital Era

I do not have one theme for each season, I just try to make beautiful clothes all year round. I’ve treated the waistcoat as if it were a corset, so that it becomes the first layer in the process of putting clothes on the body. There is constant motion between layering and revealing. I get ideas about what’s essential when packing my suitcase. I don’t really know how to do casual clothes. Sometimes the simplest things are the most profound.

My relationships with producers or photographers – these are relationships that took years. Brides today are increasingly sensitive to the tastes, feelings and finances of their attendants. We have got to change our ethics and our financial system and our whole way of understanding the world.

Fashion is always of the time in which you live. It is not something standing alone. But the grand problem, the most important problem, is to rejeuvenate women. To make women look young. Then their outlook changes. They feel more joyous. The difference between style and fashion is quality. There are always protests, whether you do something good or bad. Even if you do something beneficial, people say you do it because it’s advertising. Fashion moves so quickly that, unless you have a strong point of view, you can lose integrity. My learning process is by eye alone; it’s not at all scientific.

Over the years I have learned that what is important in a dress is the woman who is wearing it. Design is a constant challenge to balance comfort with luxe, the practical with the desirable. I get ideas about what’s essential when packing my suitcase. Attention to detail is of utmost importance when you want to look good. My shows are about the complete woman who swallows it all. It’s a question of survival. It’s really easy to get colors right. It’s really hard to get black – and neutrals – right. Black is certainly a color but it’s also an illusion. A woman has the age she deserves. We look our best in subdued colors, sophisticated cuts, and a general air of sleek understatement. Doing collections, doing fashion is like a non-stop dialogue. Vanity is the healthiest thing in life.

For me, art is about learning and about living with people. It’s alive. I design from instinct. It’s the only way I know how to live. What feels good. What feels right. What is needed. Give me a problem and I will approach it creatively, from my gut. Fashion is to please your eye. Shapes and proportions are for your intellect. I think the idea of mixing luxury and mass-market fashion is very modern, very now – no one wears head-to-toe designer anymore. It is difficult to talk about fashion in the abstract, without a human body before my eyes, without drawings, without a choice of fabric – without a practical or visual reality.

Pencil drawing of Don Quixote

“I do not have one theme for each season, I just try to make beautiful clothes all year round.”

— Kimmy Guletta

I’m a fashion designer and people think, what do I know? An evening dress that reveals a woman’s ankles while walking is the most disgusting thing I have ever seen. I’m used to always deciding everything myself. It’s a blessing, but also a terrible defect. Age and size are only numbers. It’s the attitude you bring to clothes that make the difference. I think God is the most fantastic designer.

√ All I did my first year at Vogue was Xerox.

It is important to be chic. People said making clothes inside out was not proper. I disagreed, because clothes that are inside out are as beautiful as a cathedral. You have to always work against what you did before, and even against your taste. You cannot be creative with people around you. Attention to detail is of utmost importance when you want to look good. Fashions fade, style is eternal. Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening. The difference between style and fashion is quality. I adore the challenge of creating truly modern clothes, where a woman’s personality and sense of self are revealed. I want people to see the dress, but focus on the woman. Those fashion designers are just crazy; but aren’t we all?

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It’s really easy to get colors right. It’s really hard to get black – and neutrals – right. Black is certainly a color but it’s also an illusion. Over the years I have learned that what is important in a dress is the woman who is wearing it. Fashion is made to become unfashionable. We have got to change our ethics and our financial system and our whole way of understanding the world. It has to be a world in which people live rather than die; a sustainable world. It could be great. I love to design things that people can actually buy. I’m staggered by what a boot costs today. I believe that my clothes can give people a better image of themselves – that it can increase their feelings of confidence and happiness.

I don’t try to be in fashion; I don’t try to follow trends. You just end up out of fashion that way.

Certificates of Authenticity in the Digital Era

I do not have one theme for each season, I just try to make beautiful clothes all year round. I’ve treated the waistcoat as if it were a corset, so that it becomes the first layer in the process of putting clothes on the body. There is constant motion between layering and revealing. I get ideas about what’s essential when packing my suitcase. I don’t really know how to do casual clothes. Sometimes the simplest things are the most profound.

My relationships with producers or photographers – these are relationships that took years. Brides today are increasingly sensitive to the tastes, feelings and finances of their attendants. We have got to change our ethics and our financial system and our whole way of understanding the world.

Fashion is always of the time in which you live. It is not something standing alone. But the grand problem, the most important problem, is to rejeuvenate women. To make women look young. Then their outlook changes. They feel more joyous. The difference between style and fashion is quality. There are always protests, whether you do something good or bad. Even if you do something beneficial, people say you do it because it’s advertising. Fashion moves so quickly that, unless you have a strong point of view, you can lose integrity. My learning process is by eye alone; it’s not at all scientific.

Over the years I have learned that what is important in a dress is the woman who is wearing it. Design is a constant challenge to balance comfort with luxe, the practical with the desirable. I get ideas about what’s essential when packing my suitcase. Attention to detail is of utmost importance when you want to look good. My shows are about the complete woman who swallows it all. It’s a question of survival. It’s really easy to get colors right. It’s really hard to get black – and neutrals – right. Black is certainly a color but it’s also an illusion. A woman has the age she deserves. We look our best in subdued colors, sophisticated cuts, and a general air of sleek understatement. Doing collections, doing fashion is like a non-stop dialogue. Vanity is the healthiest thing in life.

For me, art is about learning and about living with people. It’s alive. I design from instinct. It’s the only way I know how to live. What feels good. What feels right. What is needed. Give me a problem and I will approach it creatively, from my gut. Fashion is to please your eye. Shapes and proportions are for your intellect. I think the idea of mixing luxury and mass-market fashion is very modern, very now – no one wears head-to-toe designer anymore. It is difficult to talk about fashion in the abstract, without a human body before my eyes, without drawings, without a choice of fabric – without a practical or visual reality.

Pencil drawing of Don Quixote

“I do not have one theme for each season, I just try to make beautiful clothes all year round.”

— Kimmy Guletta

I’m a fashion designer and people think, what do I know? An evening dress that reveals a woman’s ankles while walking is the most disgusting thing I have ever seen. I’m used to always deciding everything myself. It’s a blessing, but also a terrible defect. Age and size are only numbers. It’s the attitude you bring to clothes that make the difference. I think God is the most fantastic designer.

√ All I did my first year at Vogue was Xerox.

It is important to be chic. People said making clothes inside out was not proper. I disagreed, because clothes that are inside out are as beautiful as a cathedral. You have to always work against what you did before, and even against your taste. You cannot be creative with people around you. Attention to detail is of utmost importance when you want to look good. Fashions fade, style is eternal. Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening. The difference between style and fashion is quality. I adore the challenge of creating truly modern clothes, where a woman’s personality and sense of self are revealed. I want people to see the dress, but focus on the woman. Those fashion designers are just crazy; but aren’t we all?

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Sometimes incompetence is useful. It helps you keep an open mind. I am like a freight train. Working on the details, twisting them and playing with them over the years, but always staying on the same track. Fashion is made to become unfashionable. We have got to change our ethics and our financial system and our whole way of understanding the world. It has to be a world in which people live rather than die; a sustainable world. It could be great. I love to design things that people can actually buy. I’m staggered by what a boot costs today. I believe that my clothes can give people a better image of themselves – that it can increase their feelings of confidence and happiness.

I don’t try to be in fashion; I don’t try to follow trends. You just end up out of fashion that way.

Certificates of Authenticity in the Digital Era

I do not have one theme for each season, I just try to make beautiful clothes all year round. I’ve treated the waistcoat as if it were a corset, so that it becomes the first layer in the process of putting clothes on the body. There is constant motion between layering and revealing. I get ideas about what’s essential when packing my suitcase. I don’t really know how to do casual clothes. Sometimes the simplest things are the most profound.

My relationships with producers or photographers – these are relationships that took years. Brides today are increasingly sensitive to the tastes, feelings and finances of their attendants. We have got to change our ethics and our financial system and our whole way of understanding the world.

Fashion is always of the time in which you live. It is not something standing alone. But the grand problem, the most important problem, is to rejeuvenate women. To make women look young. Then their outlook changes. They feel more joyous. The difference between style and fashion is quality. There are always protests, whether you do something good or bad. Even if you do something beneficial, people say you do it because it’s advertising. Fashion moves so quickly that, unless you have a strong point of view, you can lose integrity. My learning process is by eye alone; it’s not at all scientific.

Over the years I have learned that what is important in a dress is the woman who is wearing it. Design is a constant challenge to balance comfort with luxe, the practical with the desirable. I get ideas about what’s essential when packing my suitcase. Attention to detail is of utmost importance when you want to look good. My shows are about the complete woman who swallows it all. It’s a question of survival. It’s really easy to get colors right. It’s really hard to get black – and neutrals – right. Black is certainly a color but it’s also an illusion. A woman has the age she deserves. We look our best in subdued colors, sophisticated cuts, and a general air of sleek understatement. Doing collections, doing fashion is like a non-stop dialogue. Vanity is the healthiest thing in life.

For me, art is about learning and about living with people. It’s alive. I design from instinct. It’s the only way I know how to live. What feels good. What feels right. What is needed. Give me a problem and I will approach it creatively, from my gut. Fashion is to please your eye. Shapes and proportions are for your intellect. I think the idea of mixing luxury and mass-market fashion is very modern, very now – no one wears head-to-toe designer anymore. It is difficult to talk about fashion in the abstract, without a human body before my eyes, without drawings, without a choice of fabric – without a practical or visual reality.

Pencil drawing of Don Quixote

“I do not have one theme for each season, I just try to make beautiful clothes all year round.”

— Kimmy Guletta

I’m a fashion designer and people think, what do I know? An evening dress that reveals a woman’s ankles while walking is the most disgusting thing I have ever seen. I’m used to always deciding everything myself. It’s a blessing, but also a terrible defect. Age and size are only numbers. It’s the attitude you bring to clothes that make the difference. I think God is the most fantastic designer.

√ All I did my first year at Vogue was Xerox.

It is important to be chic. People said making clothes inside out was not proper. I disagreed, because clothes that are inside out are as beautiful as a cathedral. You have to always work against what you did before, and even against your taste. You cannot be creative with people around you. Attention to detail is of utmost importance when you want to look good. Fashions fade, style is eternal. Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening. The difference between style and fashion is quality. I adore the challenge of creating truly modern clothes, where a woman’s personality and sense of self are revealed. I want people to see the dress, but focus on the woman. Those fashion designers are just crazy; but aren’t we all?

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The great thing about fashion is that it always looks forward. Doing collections, doing fashion is like a non-stop dialogue. The only way to do something in depth is to work hard. You have to wear clothes that make you look better. Fashion is made to become unfashionable. We have got to change our ethics and our financial system and our whole way of understanding the world. It has to be a world in which people live rather than die; a sustainable world. It could be great. I love to design things that people can actually buy. I’m staggered by what a boot costs today. I believe that my clothes can give people a better image of themselves – that it can increase their feelings of confidence and happiness.

I don’t try to be in fashion; I don’t try to follow trends. You just end up out of fashion that way.

Certificates of Authenticity in the Digital Era

I do not have one theme for each season, I just try to make beautiful clothes all year round. I’ve treated the waistcoat as if it were a corset, so that it becomes the first layer in the process of putting clothes on the body. There is constant motion between layering and revealing. I get ideas about what’s essential when packing my suitcase. I don’t really know how to do casual clothes. Sometimes the simplest things are the most profound.

My relationships with producers or photographers – these are relationships that took years. Brides today are increasingly sensitive to the tastes, feelings and finances of their attendants. We have got to change our ethics and our financial system and our whole way of understanding the world.

Fashion is always of the time in which you live. It is not something standing alone. But the grand problem, the most important problem, is to rejeuvenate women. To make women look young. Then their outlook changes. They feel more joyous. The difference between style and fashion is quality. There are always protests, whether you do something good or bad. Even if you do something beneficial, people say you do it because it’s advertising. Fashion moves so quickly that, unless you have a strong point of view, you can lose integrity. My learning process is by eye alone; it’s not at all scientific.

Over the years I have learned that what is important in a dress is the woman who is wearing it. Design is a constant challenge to balance comfort with luxe, the practical with the desirable. I get ideas about what’s essential when packing my suitcase. Attention to detail is of utmost importance when you want to look good. My shows are about the complete woman who swallows it all. It’s a question of survival. It’s really easy to get colors right. It’s really hard to get black – and neutrals – right. Black is certainly a color but it’s also an illusion. A woman has the age she deserves. We look our best in subdued colors, sophisticated cuts, and a general air of sleek understatement. Doing collections, doing fashion is like a non-stop dialogue. Vanity is the healthiest thing in life.

For me, art is about learning and about living with people. It’s alive. I design from instinct. It’s the only way I know how to live. What feels good. What feels right. What is needed. Give me a problem and I will approach it creatively, from my gut. Fashion is to please your eye. Shapes and proportions are for your intellect. I think the idea of mixing luxury and mass-market fashion is very modern, very now – no one wears head-to-toe designer anymore. It is difficult to talk about fashion in the abstract, without a human body before my eyes, without drawings, without a choice of fabric – without a practical or visual reality.

Pencil drawing of Don Quixote

“I do not have one theme for each season, I just try to make beautiful clothes all year round.”

— Kimmy Guletta

I’m a fashion designer and people think, what do I know? An evening dress that reveals a woman’s ankles while walking is the most disgusting thing I have ever seen. I’m used to always deciding everything myself. It’s a blessing, but also a terrible defect. Age and size are only numbers. It’s the attitude you bring to clothes that make the difference. I think God is the most fantastic designer.

√ All I did my first year at Vogue was Xerox.

It is important to be chic. People said making clothes inside out was not proper. I disagreed, because clothes that are inside out are as beautiful as a cathedral. You have to always work against what you did before, and even against your taste. You cannot be creative with people around you. Attention to detail is of utmost importance when you want to look good. Fashions fade, style is eternal. Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening. The difference between style and fashion is quality. I adore the challenge of creating truly modern clothes, where a woman’s personality and sense of self are revealed. I want people to see the dress, but focus on the woman. Those fashion designers are just crazy; but aren’t we all?

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Men don’t want another man to look at their woman because they don’t know how to handle it. If you wear clothes that don’t suit you, you’re a fashion victim. You have to wear clothes that make you look better. Fashion is made to become unfashionable. We have got to change our ethics and our financial system and our whole way of understanding the world. It has to be a world in which people live rather than die; a sustainable world. It could be great. I love to design things that people can actually buy. I’m staggered by what a boot costs today. I believe that my clothes can give people a better image of themselves – that it can increase their feelings of confidence and happiness.

I don’t try to be in fashion; I don’t try to follow trends. You just end up out of fashion that way.

Certificates of Authenticity in the Digital Era

I do not have one theme for each season, I just try to make beautiful clothes all year round. I’ve treated the waistcoat as if it were a corset, so that it becomes the first layer in the process of putting clothes on the body. There is constant motion between layering and revealing. I get ideas about what’s essential when packing my suitcase. I don’t really know how to do casual clothes. Sometimes the simplest things are the most profound.

My relationships with producers or photographers – these are relationships that took years. Brides today are increasingly sensitive to the tastes, feelings and finances of their attendants. We have got to change our ethics and our financial system and our whole way of understanding the world.

Fashion is always of the time in which you live. It is not something standing alone. But the grand problem, the most important problem, is to rejeuvenate women. To make women look young. Then their outlook changes. They feel more joyous. The difference between style and fashion is quality. There are always protests, whether you do something good or bad. Even if you do something beneficial, people say you do it because it’s advertising. Fashion moves so quickly that, unless you have a strong point of view, you can lose integrity. My learning process is by eye alone; it’s not at all scientific.

Over the years I have learned that what is important in a dress is the woman who is wearing it. Design is a constant challenge to balance comfort with luxe, the practical with the desirable. I get ideas about what’s essential when packing my suitcase. Attention to detail is of utmost importance when you want to look good. My shows are about the complete woman who swallows it all. It’s a question of survival. It’s really easy to get colors right. It’s really hard to get black – and neutrals – right. Black is certainly a color but it’s also an illusion. A woman has the age she deserves. We look our best in subdued colors, sophisticated cuts, and a general air of sleek understatement. Doing collections, doing fashion is like a non-stop dialogue. Vanity is the healthiest thing in life.

For me, art is about learning and about living with people. It’s alive. I design from instinct. It’s the only way I know how to live. What feels good. What feels right. What is needed. Give me a problem and I will approach it creatively, from my gut. Fashion is to please your eye. Shapes and proportions are for your intellect. I think the idea of mixing luxury and mass-market fashion is very modern, very now – no one wears head-to-toe designer anymore. It is difficult to talk about fashion in the abstract, without a human body before my eyes, without drawings, without a choice of fabric – without a practical or visual reality.

Pencil drawing of Don Quixote

“I do not have one theme for each season, I just try to make beautiful clothes all year round.”

— Kimmy Guletta

I’m a fashion designer and people think, what do I know? An evening dress that reveals a woman’s ankles while walking is the most disgusting thing I have ever seen. I’m used to always deciding everything myself. It’s a blessing, but also a terrible defect. Age and size are only numbers. It’s the attitude you bring to clothes that make the difference. I think God is the most fantastic designer.

√ All I did my first year at Vogue was Xerox.

It is important to be chic. People said making clothes inside out was not proper. I disagreed, because clothes that are inside out are as beautiful as a cathedral. You have to always work against what you did before, and even against your taste. You cannot be creative with people around you. Attention to detail is of utmost importance when you want to look good. Fashions fade, style is eternal. Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening. The difference between style and fashion is quality. I adore the challenge of creating truly modern clothes, where a woman’s personality and sense of self are revealed. I want people to see the dress, but focus on the woman. Those fashion designers are just crazy; but aren’t we all?

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Vanity is the healthiest thing in life. Design is a series of creative choices – it’s a collaborative effort, an evolutionary process. You choose your fabrics depending upon what you want to say, then you work with mills to get those fabrics. Fashion is made to become unfashionable. We have got to change our ethics and our financial system and our whole way of understanding the world. It has to be a world in which people live rather than die; a sustainable world. It could be great. I love to design things that people can actually buy. I’m staggered by what a boot costs today. I believe that my clothes can give people a better image of themselves – that it can increase their feelings of confidence and happiness.

I don’t try to be in fashion; I don’t try to follow trends. You just end up out of fashion that way.

Certificates of Authenticity in the Digital Era

I do not have one theme for each season, I just try to make beautiful clothes all year round. I’ve treated the waistcoat as if it were a corset, so that it becomes the first layer in the process of putting clothes on the body. There is constant motion between layering and revealing. I get ideas about what’s essential when packing my suitcase. I don’t really know how to do casual clothes. Sometimes the simplest things are the most profound.

My relationships with producers or photographers – these are relationships that took years. Brides today are increasingly sensitive to the tastes, feelings and finances of their attendants. We have got to change our ethics and our financial system and our whole way of understanding the world.

Fashion is always of the time in which you live. It is not something standing alone. But the grand problem, the most important problem, is to rejeuvenate women. To make women look young. Then their outlook changes. They feel more joyous. The difference between style and fashion is quality. There are always protests, whether you do something good or bad. Even if you do something beneficial, people say you do it because it’s advertising. Fashion moves so quickly that, unless you have a strong point of view, you can lose integrity. My learning process is by eye alone; it’s not at all scientific.

Over the years I have learned that what is important in a dress is the woman who is wearing it. Design is a constant challenge to balance comfort with luxe, the practical with the desirable. I get ideas about what’s essential when packing my suitcase. Attention to detail is of utmost importance when you want to look good. My shows are about the complete woman who swallows it all. It’s a question of survival. It’s really easy to get colors right. It’s really hard to get black – and neutrals – right. Black is certainly a color but it’s also an illusion. A woman has the age she deserves. We look our best in subdued colors, sophisticated cuts, and a general air of sleek understatement. Doing collections, doing fashion is like a non-stop dialogue. Vanity is the healthiest thing in life.

For me, art is about learning and about living with people. It’s alive. I design from instinct. It’s the only way I know how to live. What feels good. What feels right. What is needed. Give me a problem and I will approach it creatively, from my gut. Fashion is to please your eye. Shapes and proportions are for your intellect. I think the idea of mixing luxury and mass-market fashion is very modern, very now – no one wears head-to-toe designer anymore. It is difficult to talk about fashion in the abstract, without a human body before my eyes, without drawings, without a choice of fabric – without a practical or visual reality.

Pencil drawing of Don Quixote

“I do not have one theme for each season, I just try to make beautiful clothes all year round.”

— Kimmy Guletta

I’m a fashion designer and people think, what do I know? An evening dress that reveals a woman’s ankles while walking is the most disgusting thing I have ever seen. I’m used to always deciding everything myself. It’s a blessing, but also a terrible defect. Age and size are only numbers. It’s the attitude you bring to clothes that make the difference. I think God is the most fantastic designer.

√ All I did my first year at Vogue was Xerox.

It is important to be chic. People said making clothes inside out was not proper. I disagreed, because clothes that are inside out are as beautiful as a cathedral. You have to always work against what you did before, and even against your taste. You cannot be creative with people around you. Attention to detail is of utmost importance when you want to look good. Fashions fade, style is eternal. Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening. The difference between style and fashion is quality. I adore the challenge of creating truly modern clothes, where a woman’s personality and sense of self are revealed. I want people to see the dress, but focus on the woman. Those fashion designers are just crazy; but aren’t we all?

When the Levee Breaks — Art Insurance & Eco-Disasters

It’s useless to send models out on the runway to cry. I remember walking the dog one day, I saw a car full of teenage girls, and one of them rolled down the window and yelled, ‘Marc Jacobs!’ in a French accent. Elegance is not the prerogative of those who have just escaped from adolescence, but of those who have already taken possession of their future. Fashion is made to become unfashionable. We have got to change our ethics and our financial system and our whole way of understanding the world. It has to be a world in which people live rather than die; a sustainable world. It could be great. I love to design things that people can actually buy. I’m staggered by what a boot costs today. I believe that my clothes can give people a better image of themselves – that it can increase their feelings of confidence and happiness.

I don’t try to be in fashion; I don’t try to follow trends. You just end up out of fashion that way.

Certificates of Authenticity in the Digital Era

I do not have one theme for each season, I just try to make beautiful clothes all year round. I’ve treated the waistcoat as if it were a corset, so that it becomes the first layer in the process of putting clothes on the body. There is constant motion between layering and revealing. I get ideas about what’s essential when packing my suitcase. I don’t really know how to do casual clothes. Sometimes the simplest things are the most profound.

My relationships with producers or photographers – these are relationships that took years. Brides today are increasingly sensitive to the tastes, feelings and finances of their attendants. We have got to change our ethics and our financial system and our whole way of understanding the world.

Fashion is always of the time in which you live. It is not something standing alone. But the grand problem, the most important problem, is to rejeuvenate women. To make women look young. Then their outlook changes. They feel more joyous. The difference between style and fashion is quality. There are always protests, whether you do something good or bad. Even if you do something beneficial, people say you do it because it’s advertising. Fashion moves so quickly that, unless you have a strong point of view, you can lose integrity. My learning process is by eye alone; it’s not at all scientific.

Over the years I have learned that what is important in a dress is the woman who is wearing it. Design is a constant challenge to balance comfort with luxe, the practical with the desirable. I get ideas about what’s essential when packing my suitcase. Attention to detail is of utmost importance when you want to look good. My shows are about the complete woman who swallows it all. It’s a question of survival. It’s really easy to get colors right. It’s really hard to get black – and neutrals – right. Black is certainly a color but it’s also an illusion. A woman has the age she deserves. We look our best in subdued colors, sophisticated cuts, and a general air of sleek understatement. Doing collections, doing fashion is like a non-stop dialogue. Vanity is the healthiest thing in life.

For me, art is about learning and about living with people. It’s alive. I design from instinct. It’s the only way I know how to live. What feels good. What feels right. What is needed. Give me a problem and I will approach it creatively, from my gut. Fashion is to please your eye. Shapes and proportions are for your intellect. I think the idea of mixing luxury and mass-market fashion is very modern, very now – no one wears head-to-toe designer anymore. It is difficult to talk about fashion in the abstract, without a human body before my eyes, without drawings, without a choice of fabric – without a practical or visual reality.

Pencil drawing of Don Quixote

“I do not have one theme for each season, I just try to make beautiful clothes all year round.”

— Kimmy Guletta

I’m a fashion designer and people think, what do I know? An evening dress that reveals a woman’s ankles while walking is the most disgusting thing I have ever seen. I’m used to always deciding everything myself. It’s a blessing, but also a terrible defect. Age and size are only numbers. It’s the attitude you bring to clothes that make the difference. I think God is the most fantastic designer.

√ All I did my first year at Vogue was Xerox.

It is important to be chic. People said making clothes inside out was not proper. I disagreed, because clothes that are inside out are as beautiful as a cathedral. You have to always work against what you did before, and even against your taste. You cannot be creative with people around you. Attention to detail is of utmost importance when you want to look good. Fashions fade, style is eternal. Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening. The difference between style and fashion is quality. I adore the challenge of creating truly modern clothes, where a woman’s personality and sense of self are revealed. I want people to see the dress, but focus on the woman. Those fashion designers are just crazy; but aren’t we all?

Why Traditional Artists Should Ignore the NFT Hype

It’s difficult to move in the nude in front of a mirror. It’s much easier to move when you’re dressed. But if you can walk around in the nude easily in front of your man, if you can be luxurious in the nude, then you’ve really got it. Fashion is made to become unfashionable. We have got to change our ethics and our financial system and our whole way of understanding the world. It has to be a world in which people live rather than die; a sustainable world. It could be great. I love to design things that people can actually buy. I’m staggered by what a boot costs today. I believe that my clothes can give people a better image of themselves – that it can increase their feelings of confidence and happiness.

I don’t try to be in fashion; I don’t try to follow trends. You just end up out of fashion that way.

Certificates of Authenticity in the Digital Era

I do not have one theme for each season, I just try to make beautiful clothes all year round. I’ve treated the waistcoat as if it were a corset, so that it becomes the first layer in the process of putting clothes on the body. There is constant motion between layering and revealing. I get ideas about what’s essential when packing my suitcase. I don’t really know how to do casual clothes. Sometimes the simplest things are the most profound.

My relationships with producers or photographers – these are relationships that took years. Brides today are increasingly sensitive to the tastes, feelings and finances of their attendants. We have got to change our ethics and our financial system and our whole way of understanding the world.

Fashion is always of the time in which you live. It is not something standing alone. But the grand problem, the most important problem, is to rejeuvenate women. To make women look young. Then their outlook changes. They feel more joyous. The difference between style and fashion is quality. There are always protests, whether you do something good or bad. Even if you do something beneficial, people say you do it because it’s advertising. Fashion moves so quickly that, unless you have a strong point of view, you can lose integrity. My learning process is by eye alone; it’s not at all scientific.

Over the years I have learned that what is important in a dress is the woman who is wearing it. Design is a constant challenge to balance comfort with luxe, the practical with the desirable. I get ideas about what’s essential when packing my suitcase. Attention to detail is of utmost importance when you want to look good. My shows are about the complete woman who swallows it all. It’s a question of survival. It’s really easy to get colors right. It’s really hard to get black – and neutrals – right. Black is certainly a color but it’s also an illusion. A woman has the age she deserves. We look our best in subdued colors, sophisticated cuts, and a general air of sleek understatement. Doing collections, doing fashion is like a non-stop dialogue. Vanity is the healthiest thing in life.

For me, art is about learning and about living with people. It’s alive. I design from instinct. It’s the only way I know how to live. What feels good. What feels right. What is needed. Give me a problem and I will approach it creatively, from my gut. Fashion is to please your eye. Shapes and proportions are for your intellect. I think the idea of mixing luxury and mass-market fashion is very modern, very now – no one wears head-to-toe designer anymore. It is difficult to talk about fashion in the abstract, without a human body before my eyes, without drawings, without a choice of fabric – without a practical or visual reality.

Pencil drawing of Don Quixote

“I do not have one theme for each season, I just try to make beautiful clothes all year round.”

— Kimmy Guletta

I’m a fashion designer and people think, what do I know? An evening dress that reveals a woman’s ankles while walking is the most disgusting thing I have ever seen. I’m used to always deciding everything myself. It’s a blessing, but also a terrible defect. Age and size are only numbers. It’s the attitude you bring to clothes that make the difference. I think God is the most fantastic designer.

√ All I did my first year at Vogue was Xerox.

It is important to be chic. People said making clothes inside out was not proper. I disagreed, because clothes that are inside out are as beautiful as a cathedral. You have to always work against what you did before, and even against your taste. You cannot be creative with people around you. Attention to detail is of utmost importance when you want to look good. Fashions fade, style is eternal. Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening. The difference between style and fashion is quality. I adore the challenge of creating truly modern clothes, where a woman’s personality and sense of self are revealed. I want people to see the dress, but focus on the woman. Those fashion designers are just crazy; but aren’t we all?